
Tiffany’s ceramics reflect the same formal and thematic concerns that distinguish his work in other mediums and include naturalism, historicism, exoticism and abstraction. Tiffany’s ceramic garden often amounts to nearly life-size representational sculpture. The use of ideas and forms from China, Japan, North Africa, Assyria (Iraq) and Persia (Iran) reflects the general interest in new travel and trade opportunities of the time. The movement away from realistic images in Tiffany’s ceramics and his work in general heralded the development of abstract art later in the century.
Throughout his 40-year career, Tiffany exhibited at every major international exposition, winning numerous honors, including a gold medal at St. Louis’s 1904 Louisiana Purchase Exposition. In St. Louis, at least seven churches and the tombs of two prominent families were adorned with Tiffany stained glass. Other significant Tiffany commissions in St. Louis include interior decoration for the Busch family in 1911.
This information is based on notes compiled by Anthony Mier, the St. Louis Art Museum and the Morse Museum of Winter Park, FL.
Photo: Tiffany Furnaces, Vase, 1904-14, The Charles Hosmer Morse Museum of American Art collection, Winter Park, FL
http://www.lctiffanypottery.com/history3.htm
http://www.morsemuseum.org/home.html
http://stlouis.art.museum/emuseum/code/emuseum.asp?collection=6737&collectionname=Decorative%20Arts%20and%20Design&style=Browse¤trecord=1&page=collection&profile=objects&searchdesc=Decorative%20Arts%20and%20Design&quicksearch=tiffany
Very nice article well written and most accurate and informative...!
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